![]() The Bee Gees had several hit singles before “Saturday Night Fever,” including the No. The dance scenes were electric thanks to Travolta, who was so brilliant that no edits were required, and the Gibbs’ songcraft. The Gibbs brothers – Barry, Maurice and Robin – repurposed a few songs such as “Stayin’ Alive,” and banged out a few songs over a 48-hour period for the film, which had already been shot. ![]() The same can be said if the primary sonic architects of “Saturday Night Fever” were the Village People or Lipps Inc, instead of the Bee Gees.Īrguably the greatest soundtrack of all time was released 45 years ago and disco hit the upper echelon thanks to such dance anthems as “Stayin’ Alive,” “Night Fever” and “You Should be Dancing.” It wouldn’t have worked out anywhere near as well with Ol’ Blue Eyes and anyone but Monroe. For instance, Billy Wilder’s brilliant “Some Like It Hot” was to have originally starred Frank Sinatra and Mitzi Gaynor instead of Jack Lemmon and Marilyn Monroe. It would have been akin to the stories about classic films with an alternate cast. If the Bee Gees weren’t responsible for eight of the 17 tracks, the film would have been very different. “Saturday Night Fever” wouldn’t have worked nearly as well, however, if it weren’t for one of the greatest soundtracks in music history. The compelling love story, the disturbingly dysfunctional group of friends and the desire to rise above the lower-middle class all helped make John Badham’s film a classic. John Travolta is magnetic as Tony Manero, a struggling, immature 19-year-old killing time working in a hardware store by day but king of the dance floor by night. The soundtrack to “Saturday Night Fever” wasn’t the start of the sensation known as disco, but the album, highlighted by an array of unforgettable Bee Gees tunes, catapulted the dance genre to another level.ĭisco was ubiquitous after the exceptional “Saturday Night Fever” hit screens in December 1977.
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